By Heinrich Christoph Koch, Johann Georg Sulzer
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Extra info for Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch
Footnotes are numbered consecutively within each of the three conceptual categories. ]. I would like to take the opportunity here to thank Nancy Baker for inviting me to join her in this collaborative translation. I had independently been studying the writings of Sulzer when Dr. Baker approached me and suggested that a translated selection of Sulzer s writings would complement her own work on Koch. The present book, Sulzer would surely appreciate, is an Ausfuhrung of her Anlage. A summer "Old Gold" research fellowship granted to me in 1994 by the University of Iowa greatly facilitated my completion of the project, and for this I am deeply appreciative.
Just as philosophy and science have knowledge as their ultimate goal, so the fine arts have the goal of sentiment. Their immediate aim is to arouse sentiments in a psychological sense. Their final goal, however, is a moral sentiment by which man can achieve his ethical value. If the fine arts are ever to become the sister of philosophy, and Aesthetic foundations: sentiment 29 not just a gaggle of loose wenches one calls upon for diversion, they must be guided by reason and wisdom in their stimulation of sentiment.
C] 8 Here the question is only the way a novel may be used to educate the heart, as there have been considerable objections justifiably raised concerning the particulars of Richardson's style. The author of Agathon [Wieland] has raised a number of important comments on this subject. ] Aesthetic foundations: order 37 do not trust themselves to forge a different way. They fear that any ode that is not Horatian or Pindaric, or any tragedy that is not patterned after a Greek model, can never attain praise.