Download Aesthetics and the Art of Musical Composition in the German by Heinrich Christoph Koch, Johann Georg Sulzer PDF

Download Aesthetics and the Art of Musical Composition in the German by Heinrich Christoph Koch, Johann Georg Sulzer PDF

By Heinrich Christoph Koch, Johann Georg Sulzer

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Extra info for Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch

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Footnotes are numbered consecutively within each of the three conceptual categories. ]. I would like to take the opportunity here to thank Nancy Baker for inviting me to join her in this collaborative translation. I had independently been studying the writings of Sulzer when Dr. Baker approached me and suggested that a translated selection of Sulzer s writings would complement her own work on Koch. The present book, Sulzer would surely appreciate, is an Ausfuhrung of her Anlage. A summer "Old Gold" research fellowship granted to me in 1994 by the University of Iowa greatly facilitated my completion of the project, and for this I am deeply appreciative.

Just as philosophy and science have knowledge as their ultimate goal, so the fine arts have the goal of sentiment. Their immediate aim is to arouse sentiments in a psychological sense. Their final goal, however, is a moral sentiment by which man can achieve his ethical value. If the fine arts are ever to become the sister of philosophy, and Aesthetic foundations: sentiment 29 not just a gaggle of loose wenches one calls upon for diversion, they must be guided by reason and wisdom in their stimulation of sentiment.

C] 8 Here the question is only the way a novel may be used to educate the heart, as there have been considerable objections justifiably raised concerning the particulars of Richardson's style. The author of Agathon [Wieland] has raised a number of important comments on this subject. ] Aesthetic foundations: order 37 do not trust themselves to forge a different way. They fear that any ode that is not Horatian or Pindaric, or any tragedy that is not patterned after a Greek model, can never attain praise.

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